Milena Lenderová

Marie Čacká in the context of ‘women's’ hoaxes

pp. 271–279 (Czech), Summary p. 280 (English)

 

Marie Čacká (1811–1882), real name Františka Svobodová, from early 1845 the wife of patriotic

doctor Josef Bojislav Pichl, published her first poems in 1838. She belonged to the circle of

women around Karel Slavoj Amerling and Bohuslav Rajská, co-founded the Czech Girls' School

in Prague and worked there for some time. The rustic themes of her first works led to the rumour

that she was a countrywoman. The figure of a poetry-writing countrywoman had hitherto been

lacking in the typology of Czech female writers and she embodied the intellectuals' fascination

at the time for the rural environment, which, unspoilt by civilization and the Germanizing

education of the era, was considered a reservoir of original Czech-language culture. Marie

Čacká was a figure calculated to bring on the folksiness just at the right moment. Although she

was the complete opposite of a simple Czech countrywoman, her poetry was able to get into the

spirit and emotional naiveté of folksong, and she basically fulfilled the utopian ideal of the folk

poetess: thanks to her rural isolation, her work could not be influenced by ‘fashionable’ literary

trends or the works of contemporaries. The romantic idea of the folk sources of Czech literature

and likewise the desire for a literarily active woman were carried to absurd lengths by the

fictitious figure of the rural poetess Marie Čacká. She became an ideal defined not only by the

gender constructs of the time, but also by the stalwarts of patriotic communication, the Czech

literati, i.e. she came from an idealized countryside, she was literarily active and she was able

to write in polished Czech, although this ideal was actually unattainable, and not just in the

1830s or the first half of the 1840s either. However, literary hoaxes involving or even authored by

women can be considered to be part of the efforts to draw female authors into literary production

and as such were also part of the efforts to create a Czech culture based firmly on the Czech

language.

 

Female poets – Marie Čacká – literary hoaxes

 

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Partners of the project:
Philharmony Plzeň
Westbohemian Gallery in Plzeň
Westbohemian Muzeum in Plzni

Organizers of conferences:
Institute of Art History CAS
Institute for Czech Literature CAS
Institute for Art History,
Charles University Prague
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