Sborník 2024

Trh a kapitál v české kultuře 19. století [Market and Capital in the Bohemian culture of the 19th century. Praha, Academia 2025, 356 pp., b/w and color illustrations, index on names, summary. Edited by Kateřina Piorecká and Martin Hrdina, in cooperation with Eva Bendová.

Trh a kapitál v české kultuře 19. století

Kateřina Piorecká – Martin Hrdina

Introduction
pp. 7–10 (Czech)

Capital and Society

Milan Hlavačka

‘On Market and Capital for the First Time in Summary, Theoretically and in Czech’: Josef Kaizl’s textbook National economy
pp. 13–23 (Czech), 24 (English)

Jiří Pokorný

Conflicts and Agreements between Capital and Labour: On Trade Unions
pp. 26–34 (Czech), 34 (English)

Jan Štemberk – Ivan Jakubec

Return of State Capital to Railroad Companies?: Circumstances Underlying the Preparation and Application of the 'Sequestration Law'
pp. 36–48 (Czech), 49 (English)

Marie Malivánková Wasková

Pilsen’s Cultural Calendar up to the Mid-19th Century (Supplements in the Records of the Municipal Institute for the Poor)
pp. 51–65 (Czech), 66 (English)

Marek Krejčí

Jindřich Chylík’s Industrial Projects in Pilsen: On Industry as the Subject of Historical Research
pp. 68–75 (Czech), 75 (English)

Petr Popelka – Jana Davidová-Glogarová – Jaroslav David

Self-Made Man: The Social Phenomenon and Artistic Figure of Nascent Capitalist Culture
pp. 77–88 (Czech), 88 (English)

Blanka Hemelíková

Portrait of an Industrialist’
pp. 90–92 (Czech), 93 (English)

Capital and Capital City Prague

Petr Šámal

Architectural decoration as a business: Entrepreneurship and business competiotion in sculpture and stucco workshops at the turn of the 19th and 20th centuries
pp. 97–107 (Czech), 107–108 (English)

Martina Power – Veronika Knotková

Městská pojišťovna, ‘The First Municipal Financial Institution in Prague’
pp. 109–121 (Czech), 122 (English)

Tomáš Dvořák

Stores, Shops, and Grocers: The Location and Operation of Grocery Stores in Pre-1900 Prague
pp. 124–132 (Czech), 133 (English)

Media and Book Market

Luboš Velek

Media Business in the Czech Republic, Based on the Example of Jan S. Skrejšovský’s Press Empire
pp. 137–157 (Czech), 159 (English)

Michal Charypar

Kateřina Jeřábková’s Fiction Library as Publishing Company
pp. 160–173 (Czech), 173 (English)

Bohumil Jiroušek – Martina Halamová

Critique of the Literary Market in Vítězslav Hálek’s Journalism
pp. 175–180 (Czech), 181 (English)

Ladislav Futtera

‘Books Marked with an Asterisk Are Enthusiastically Recommended to Readers’: The Bibliographic Journal as a Tool for Cultivating the Czech Book Market
pp. 183–193 (Czech), 193–194 (English)

Jan Budňák

‘Priceless Books Not Once Borrowed’: Education and the Behavior of Post-1900 Working-Class Readers, Based on the Example of the Workers’ Academy Library
pp. 195–204 (Czech), 205 (English)

Eva Blinková Pelánová

The ‘Modern Rebuke’ and Emotional Education in the Context of Literary Naturalism: Two Distinct Possibilities in a Fictional World
pp. 207–218 (Czech), 218–219 (English)

Veronika Faktorová

‘Make a Big Noise’: Karel Klostermann in the Care of Publisher Vilímek
pp. 221–232 (Czech), 232–233 (English)

The Art of Selling Yourself

Lívia Laifrová – Alena Hönigová

The Innovative Influence of Czech Pianists Jan Ladislav Dusík, Ludvík Václav Lachnith, and František Nikodim (a.k.a. Nicodami) in Music Industry Centres, 1801–1829
pp. 237–257 (Czech), 257–258 (English)

Olga Mojžíšová

How did Bedřich Smetana Evaluate His Own Works?
pp. 259–268, 267 (English)

Lubica Schmarcová

On the Formation of Symbolic Capital in the Initial Phase of the Formation of the Slovak Romantic Generation
pp. 269–280, 279 (English)

Berenika Zemanová

Tribulations of a Theatre Entrepreneur at the Height of the Gründer Era: Director C. J. Bertalan on the Situation of Provincial Theatres in Cisleithania
pp. 281–290 (Czech), 290 (English)

Jan Mergl

Crafts as Capital
pp. 292–297 (Czech), 296 (English)

Petra Trnková

Forgeries in the Age of Mechanical Reproduction, or Banknotes in the Hands of Photographers during the Mid-19th Century
pp. 298–310 (Czech), 309–310 (English)

Lucie Česká

Rights to an Image: Reproduction as a Business on the Part of Private Gallerists
pp. 311–320 (Czech), 319 (English)

Petra Kolářová

Monsieur Capital: On the Iconography of Mammon and Money in the Work of František Kupka
pp. 321–332 (Czech), 332 (English)
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Partners of the project:
Philharmony Plzeň
Westbohemian Gallery in Plzeň
Westbohemian Muzeum in Plzni

Organizers of conferences:
Institute of Art History CAS
Institute for Czech Literature CAS
Institute for Art History,
Charles University Prague
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